I have written this script as one of my contributions to this project. I am not entirely satisfied with the transitions of this script, but we must adapt the the limitations of our actors and our access to filming tools.
Busy street, ambient sounds of
cars and restaurants in the distance.
We see VICTIM walking with her
purse, then PROTAGONIST in front of her. Both are walking alone and distracted
from their surroundings. We see ROBBER behind them both, who is eyeing up VICTIM’s
purse. ROBBER is focused yet anxious, with his hood up and shoulders hunched.
ROBBER begins approaching, still
focus but also cautious of surroundings. He snatches the purse from VICTIM and
begins booking it. VICTIM begins to panic.
VICTIM: My purse!
PROTAGONIST turns head
around towards VICTIM, concerned. She sees ROBBER starting to take off and,
determined, turns her whole body in a large sweeping motion, firmly planting
herself. ROBBER runs into PROTAGONIST, falling flat on the ground with the
force of it.
ROBBER grunts in pain, still on
the ground. PROTAGONIST reaches down to ROBBER and takes the purse. PROTAGONIST
walks around ROBBER to VICTIM and holds the purse out to her.
PROTAGONIST: Here’s your purse
back.
VICTIM moves gaze from looking
shocked down at ROBBER up to PROTAGONIST, before shifting her expression back
to joy.
VICTIM: Thank yo-
VICTIM’s expression goes back to
shocked and afraid, looking over PROTAGONIST’s shoulder. PROTAGONIST begins to
turn around when ROBBER punches PROTAGONIST in the jaw. PROTAGONIST doesn’t budge,
the punch having no effect on her. ROBBER pulls hand back, shocked and
confused. PROTAGONIST, now full of rage, pushes ROBBER back, forcing him back
on the ground.
We see AGENT in the background, stone-faced
but aware of the situation. PROTAGONIST then realizes what happened and begins
to act hurt by the punch.
PROTAGONIST: Uuuummmm OW
THAT HURT!
PROTAGONIST notices AGENT among
the crowd and becomes anxious, wanting to get out of the situation as soon as
possible. PROTAGONIST turns away from AGENT and puts her hood up, beginning
walking at a fast pace. VICTIM tries to approach PROTAGONIST, looking
concerned.
VICTIM: Are you okay?
PROTAGONIST doesn’t turn towards
VICTIM, only continuing her walking. Her tone and response are short.
PROTAGONIST: I’m fine.
As PROTAGONIST keeps walking,
AGENT begins to follow, keeping the same pace as they walk through the crowded
street. PROTAGONIST is aware she is being followed even without turning around.
She becomes increasingly concerned as she can’t shake AGENT, wanting to break
into a run but unable to without making a scene. PROTAGONIST looks concerned
yet determined, while AGENT looks unfazed. PROTAGONIST comes to a corner and
turns around, left with no other options but to face the situation head on. Her
expression shifts to one of fear. AGENT stops running, but walks forward more
to keep PROTAGONIST cornered. They keep their calm appearance.
AGENT: I know who you are.
PROTAGONIST looks scared and
cornered, much smaller than when they faced ROBBER. She pants, out of breath,
on the verge of submitting. AGENT looks completely calm, as if they are
unaffected by the situation. Their intimidating attitude shifts to purposeful
as they hold out their hand.
AGENT: And I have a job for you.
We see PROTAGONIST react, uncertain about the offer.
END SCENE
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